By Mendoza J.
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Extra info for A barrelledness criterion for C 0(E)
G. Aenig. ) and his expression is sometimes very poetic: note, for example, Aenig. 1 ‘purpura sum terrae’. g. Aenig. 3). g. Aenig. g. Praef. g. Aenig. g. Aenig. 2). 117 (d) Latinity and metre Although ‘late’ forms can be identiﬁed in Symphosius,118 and his possible African origins119 may have led him to introduce false quantities, at any rate in speech,120 his prosody follows classical norms: Ohl reports, 16, that only twice does he admit nonclassical quantities, at Aenig. g. at Aenig. 1 ‘corporis extremi non magnum pondus adhaesi’.
Remanebunt] 307 ﬁrma 317 meritis Diﬀerences in punctuation occur at Praef. 2, 10, Aenig. 2. Aenig. 2–3 are transposed. Aenig. 29 ericius, 30 peduculus and 31 phoenix are reordered: 31, 29, 30. g. of quic(d)quid) has been introduced. 38 Latin Text Symposii Aenigmata Praefatio [haec quoque Symphosius de carmine lusit inepto. ] annua Saturni cum tempora festa redirent perpetuo †nec semper† sollemnia ludo, post epulas laetas, post dulcia pocula mensae, deliras inter vetulas puerosque loquaces, cum streperet late madidae facundia linguae, tum verbosa cohors studio sermonis inepti nescio quas passim magno tentamine nugas est meditata diu; sed frivola multa locuta est.
And n. 55, and on Aenig. 1 below. In keeping with Symphosius’ probable scholastic background,123 one would expect the Aenigmata to show inﬂuence by other literary ﬁgures. Surprisingly, however, very few allusions can be identiﬁed with certainty,124 but it is less surprising, given Symphosius’ possible African origins125 that these allusions are to Latin authors. Although Symphosius knew Greek well enough to indulge in bilingual etymologizing and word play (see at Aenig. 3), although his subject matter often coincides with that of Greek riddles (see at Aenig.