By Vera Zubarev(aka Ulea) PhD
Using structures idea to the comedies of Chekhov, Balzac, Kleist, Moliere, and Shakespeare, an idea of Dramatic style and the Comedy of a brand new kind: Chess, Literature, and picture ways dramatic style from the viewpoint of the measure of richness and power of a character’s capability. Its major concentration is to set up a strategy for studying the aptitude from multidimensional views, utilizing platforms pondering. the full idea is an alternative choice to the Aristotelian plot-based method and is utilized to an research of western and jap ecu authors in addition to modern American film. This cutting edge examine contains 3 components: the 1st half is generally theoretical, offering a brand new definition of the dramatic as a class associated with basic platforms phenomena and providing a brand new category of dramatic style. within the moment half, Ulea deals a textual research of a few works in response to this new category. She analyzes comedies, tragedies, and dramas at the comparable or related themes so one can exhibit what makes them belong to contrary kinds of dramatic genre. Additionally, she considers the query of destiny and likelihood, with reference to tragedy and comedy, from the viewpoint of the predispositioning conception. within the 3rd half, Ulea explores an research of the comedy of a brand new type—CNT. Her emphasis is at the integration of the half and the entire in impending the protagonist’s strength. She introduces the time period quasi-strong power which will demonstrate the illusory power of protagonists of the CNT and to teach the means of CNT’s research and synthesis. Ulea’s learn starts off with the suggestion of the comedian, commonly thought of synonymous with the laughable, and makes an attempt to procedure it as self reliant from the laughable and laughter. the need to achieve this is dictated via the need to penetrate the enigmatic nature of Chekhov’s comedy. the result's an idea of Dramatic style and the Comedy of a brand new kind: Chess, Literature, and movie, a very new method of power and platforms thinking—which hasn't ever been a spotlight of dramatic conception earlier than. Such capability is the touchstone of the comedian and comedy, their everlasting uncomplicated attribute, the guts and axis round which the comedic global spins.
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Additional resources for A Concept of Dramatic Genre and the Comedy of a New Type: Chess, Literature, and Film
Katsenelinboigen, Concept of Indeterminism 29) Using this approach, one should examine not only what O. Henry’s character says or does but how he says it and how he does it and then give it a weight. For instance, Behrman’s excessive drinking and impassioned speeches reveal a highly emotional nature that he tries to hide from people. The remark that he “scoffed terribly at softness in anyone” only highlights to what extent this character is vulnerable. His guardianship of two young artists further implies that he is a caring person with moral values.
Moreover, if such characters are ambitious and aggressive enough, they may even destroy themselves, being trapped by their local mindsets. Literature is full of such examples, which, unfortunately, have not always been analyzed deeply and thoroughly. Such is Balzac’s Goriot, who in criticism receives mostly positive and sympathetic evaluations. The new terminology linked to the character’s decision making in particular and to his potential in general, however, allows one to penetrate into deep levels of his psychology and discuss it in analytical terms.
Comedy-drama . . Serious drama with comedy interspersed. Tragedy . . A drama of a serious and dignified character that typically describes the development of a conflict between the protagonist and a superior force . . and reaches a sorrowful or disastrous conclusion. (260) The degree of seriousness, which is different in different works, is not discussed in the statement above, creating a major problem in defining a genre 28 The Dramatic as an Independent Category of literary works whose degree of seriousness creates a spectrum.