By Carlo D. Pagani, Sandro Salsa
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Sample text
She cannot stand alone or apart. She lives only for Petrarch and with Petrarch. What the reader sees is not a particular Laura, but one as seen by Petrarch at a particular moment. The fact that Petrarch never seems to see her in precisely the same way twice is what constitutes her great and unusual beauty. Laura is a being whom Petrarch does not understand because he cannot make up his mind as to whether love of such a creature is sinful. Unlike Dante he takes no clear and definite stand, but rather wavers (pp.
V. 9 Page 15 The premise of the book takes the position that there is no true evolution of Petrarch's thought or works, for practically all of his works resulted from life-long revisions that ceased only with the poet's death. " The purpose of the book, therefore, is to try to untie the knot which holds together Petrarch's thought and poetry. By means of a thorough analysis of all the works of Petrarch which Bosco considers a single block, the book seeks to identify "l'individuazione del centro spirituale del Petrarca allo scopo, primo e ultimo, di capirne quanto meglio possibile la poesia" (pp.
Nella favola di quell'amore" (pp. 7-9). For Miss Noferi the sense of timelessness that one feels in reading the Canzoniere results from Petrarch's peculiar perspective. His very life remained throughout in a state of suspension between memory and hope, past and future. In fact there is no present in Petrarch's poetry. " The Laura-laurel metaphor also contributes to this impression. Through its suggestion of the Daphne myth, it creates an atmosphere of fable and legend by establishing a fable-like contemporaneity between the distant experiences.